Ammonite 117 mins

  • Ammonite
  • Ammonite
  • Ammonite
  • Ammonite
  • Ammonite
  • Ammonite
  • Ammonite
  • Ammonite
  • Ammonite

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Luna Leederville session times.   BOOK TICKETS

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Thursday, 21 January
11:00AM 1:30PM 6:30PM 9:00PM
Friday, 22 January
11:00AM 1:30PM 6:30PM 9:00PM 
Saturday, 23 January
11:00AM 1:30PM 6:30PM 9:00PM 
Sunday, 24 January
11:00AM 1:30PM 6:30PM 8:15PM-Outdoor 
Monday, 25 January
11:00AM 1:30PM 6:30PM 8:15PM-Outdoor 
Tuesday, 26 January
11:00AM 1:30PM 6:30PM 9:00PM 
Wednesday, 27 January
11:00AM 1:30PM 6:30PM 8:15PM-Outdoor 

Luna On SX session times.   BOOK TICKETS

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Thursday, 21 January
12:30PM 4:00PM 8:30PM
Friday, 22 January
12:30PM 4:00PM 8:30PM 
Saturday, 23 January
12:30PM 4:00PM 8:30PM 
Sunday, 24 January
12:30PM 4:00PM 8:30PM 
Monday, 25 January
12:30PM 4:00PM 8:30PM 
Tuesday, 26 January
12:30PM 4:00PM 8:30PM 
Wednesday, 27 January
12:30PM 4:00PM 8:30PM 

Windsor Cinema session times.   BOOK TICKETS

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Thursday, 21 January
10:40AM 3:30PM 8:30PM
Friday, 22 January
10:40AM 3:30PM 8:30PM 
Saturday, 23 January
10:40AM 3:30PM 8:30PM 
Sunday, 24 January
10:40AM 3:30PM 8:30PM 
Monday, 25 January
10:40AM 3:30PM 8:30PM 
Tuesday, 26 January
10:40AM 3:30PM 8:30PM 
Wednesday, 27 January
10:40AM 3:30PM 8:30PM 

Luna Outdoor session times.   BOOK TICKETS

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Sunday, 24 January
8:15PM 
Monday, 25 January
8:15PM 
Wednesday, 27 January
8:15PM 

Camelot Outdoor session times.   BOOK TICKETS

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Wednesday, 3 February
8:15PM 

Kate Winslet and Saoirse Ronan have both shown exceptional range, depth, and intensity on screen, but AMMONITE reveals new colours. In this story of a visionary scientist and the young woman who changes her life, these two stars deliver performances of raw electricity.

Mary Anning (Winslet) devotes her days on Southwest England’s Dorset coast to finding and cataloguing fossils of ammonites, extinct and beautiful sea creatures. In the early 19th century this is no work for a woman, and no scientific society will have her. So Mary toils alone, even as male scientists visit to study and take credit for her work. When one visitor brings along his grieving wife, Charlotte (Ronan), then abandons her there to return to London, the two women have no one to turn to but each other.

Francis Lee’s follow-up to his award-winning God’s Own Country shows the same talent for powerful love stories in harsh environments. The rocky, windswept seaside of Lyme Regis is palpable here. Lee directs with similar brisk urgency, cutting to the core of Mary’s anger and Charlotte’s pain, charting the gathering emotional storm that throws them together. As in God’s Own Country, Lee films physical passion without a shred of prudishness. He, Winslet, and Ronan forego period gloss for a portrait of desire that feels so much more true. And in showing the full gamut of Mary’s astringent brilliance and unvarnished lust, Winslet delivers one of the very best performances of her career.

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