Down by Law + Parasite

This pair of films critique the societal structures that perpetuate inequality with absurdist, pitch-black comedy, portraying characters who fail to thrive within a system that promises opportunity but often delivers disillusionment.

DOWN BY LAW (1986) | MA 15 +

Jim Jarmusch's beloved portrait of loners and misfits in the American landscape. When fate brings together three hapless men—an unemployed disc jockey (Tom Waits), a small-time pimp (John Lurie), and a strong-willed Italian tourist (Roberto Benigni)—in a Louisiana prison, a singular adventure ensues. Described by Jarmusch as a “neo-Beat noir comedy,” Down by Law is part nightmare and part fairy tale, featuring sterling performances and crisp black-and-white cinematography by the esteemed Robby Müller.

PARASITE (2019) | MA 15+

A zeitgeist-defining sensation that distilled a global reckoning over class inequality into a tour de force of pop-cinema subversion, Bong Joon Ho’s genre-scrambling black-comic thriller confirms his status as one of the world’s foremost filmmakers. Two families in Seoul—one barely scraping by in a dank semibasement in a low-lying neighborhood, the other living in luxury in a modern architectural marvel overlooking the city—become entwined in a dangerous relationship that will lay bare the dark contradictions of capitalism with shocking ferocity. A bravura showcase for its director’s meticulously constructed set pieces, bolstered by a brilliant ensemble cast and stunning production design, Parasite cemented the New Korean Cinema as an undeniable international force when it swept almost every major prize from Cannes to the Academy Awards, where it made history as the first non-English-language film to win best picture.

Korean language, English subtitles.