Last Night In Soho 116 mins

  • Last Night In Soho
  • Last Night In Soho
  • Last Night In Soho

Now showing at

Luna Leederville session times.   BOOK TICKETS

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Tuesday, 7 December
2:00PM 4:15PM 6:40PM 9:15PM 
Wednesday, 8 December
11:00AM 1:30PM 4:00PM 6:40PM 
Thursday, 9 December
11:15AM 1:50PM 6:30PM 
Friday, 10 December
11:15AM 1:50PM 6:30PM 8:50PM 
Saturday, 11 December
1:50PM 6:30PM 8:50PM 
Sunday, 12 December
11:15AM 1:50PM 6:30PM 8:50PM 
Monday, 13 December
11:15AM 1:50PM 6:30PM 
Tuesday, 14 December
11:15AM 1:50PM 6:30PM 
Wednesday, 15 December
11:15AM 1:50PM 8:50PM 

Luna Outdoor session times.   BOOK TICKETS

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Monday, 20 December
8:15PM 
Tuesday, 21 December
8:15PM 
Wednesday, 22 December
8:15PM 
Thursday, 23 December
8:15PM 

Camelot Outdoor session times.   BOOK TICKETS

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Saturday, 18 December
8:15PM 
Thursday, 6 January
8:15PM 

Edgar Wright wickedly reflects ’60s Swinging London in this kaleidoscopic psycho-thriller about two young artists entwined across time.

With their spectacular precision and visual wit, Edgar Wright’s movies — from Shaun of the Dead to Baby Driver — have been embraced by genre fans, arthouse cinephiles, and popcorn moviegoers alike. He has a singular talent for generating pure joy in the cinema. Last Night in Soho crafts a delicious new flavour from surprising ingredients: the pop thrills of 1960s Swinging London, the darker pleasures of psychological horror, and a very contemporary story of a young woman defining who she aims to be in the world.

Writing with Krysty Wilson-Cairns (1917), Wright draws us into the orbit of Eloise (Thomasin McKenzie), a 1960s-obsessed young woman who ventures from the English countryside to study fashion at a prestigious London academy. Ostracized by her school’s chic cliques, Eloise retreats from her dormitory to a rented flat in Soho, where her life becomes psychically intertwined with that of Sandy (Anya Taylor-Joy), a singer living in 1966. Matt Smith (The Crown) turns up as Jack, a smooth night owl promising to help Sandy achieve stardom. But as Sandy’s descent into the demimonde and Eloise’s nocturnal wanderings intensify, overlapping traumas turn both present and past into a vivid swirl of danger.

Drawing from the psychotronic cinema of the 1960s and ’70s, and cleverly featuring appearances from actual ’60s icons such as Dame Diana Rigg, Margaret Nolan — both in their final roles — Terence Stamp, and Rita Tushingham, Wright’s first full-on foray into horror is a dazzling and dizzying thriller.

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